Isn't she pretty? I have to say that it cleaned up really well. Cosmetically speaking, there was a lot of built up rosin on there and I'm certain it took Paul a good bit of cleaning to get it all off. The edges have a darker finish that accents its hourglass shape and at first, I wasn't sure I was too crazy about that, but it's kind of grown on me!
This violin definitely has character (ie, age-related damage) and had no shortage of cracks that needed cleaning and cleats. However, popping the top revealed a few more surprises than just several nasty cracks.
My violin has a dorsal fin! Well, not really, but it does have a bass bar that was "carved from" rather than "applied to" the top. Check it out. According to Paul, this was a somewhat common Bohemian practice of the time (prior to 1900), although he notes that this particular bass bar is quite small. It's a new one on me, but I'm first to admit that I haven't been prying into many violins.Then there is the matter of the lower corner blocks that weren't...They looked like corner blocks, until the top came off! Paul also told me that although the top and bottom plates were graduated to the correct tolerances, the ribs were incredibly thick with some of the original rough saw cuts still visible.
So, with all these issues, one has to wonder what a violin like this is going to sound like? To quote Paul Strelau, "It sounds better than it should." - and I wholeheartedly agree.
When Paul called to tell me what he found inside, I admit that I was a bit queasy. After all, it was at the point of "fish or cut bait" and the pond wasn't looking particularly well stocked. I am happy to report (obviously!) that we decided to "fish" anyway and were pleasantly surprised by the result.
I couldn't believe it, but this violin actually has more volume than my Lowendall fiddle and has been holding its own at our weekly jam sessions. Tone is pretty good too, especially the low end (it's got a great rumble to it!), while the mid-range and high end are quite decent as well without being tinny or thin. My teacher played it for some time the other night without relinquishing it voluntarily (had to ask for it back!) which says a lot as he doesn't impress easily when it comes to fiddles. The sponged hourglass finish wasn't to his liking though...guess that is a love/hate thing. lol.
In the end, I'm very happy that I decided to have the fiddle repaired. It was a gamble though, and I wouldn't recommend investing your nest egg in any old fiddle. Listen to the advice of an expert (thank you, Paul!) and proceed with caution - mixed with gut instinct, because like in life, you never know what you're gonna get!











I love your blog. If I knew your address I would loan you my "Sprout Wings & Fly" DVD.
ReplyDeleteLike you I am a late-comer to learining fiddle; started at 56 & 10 months later discovered I am allergic to rosin. I found your blog while looking for "Susanna Gal" sheet music -- just before I learned my allergy was so severe I cannot be around rosin. Just stepping into a bow maker's shop -- without touching anything except the proprietor's hand when I shook it -- resulted in my eye swelling shut & redness, etc, about my neck, cheeks & eyes. Hmmmm . . . might not be a good idea to rosin up another bow. That was last Friday.
My goal had been to find a Mittenwald fiddle of the vintage of Tommy's, (1890's or thereabouts), but, guess I will never have one.
I still visit here, nostaglically, and intend to follow your adventure . . . keep up the great work of learning old time. It is nice to see someone as into it as I still am.
Oh . . . I acquired a mandolin, but it is just not the same. Later, I hope to acquire a Kevin Fore Round Peak banjo and learn that.
Happy fiddlin'
Thank you for the compliment and for the offer to loan your DVD. I love hearing that someone is actually reading and enjoying my blog.
ReplyDeleteI'm so sorry to hear about your unfortunate allergy. I wonder if there is any kind of synthetic rosin out there or some other type of substitute?
On the up side, I will bet that you will absolutely love clawhammer banjo. I have an old 1890s openback and can play a couple of tunes on it not too badly! I love it and to tell you the truth, if I had more hours free in my day I would spend just as much time with that as with my fiddles.
Keep in touch - I would love to hear about your banjo and how you make out.
All the best,
~Melissa
Apparently there are options out there for either hypoallergenic rosin or synthetic rosin, either currently available or in the works. I hope this thread will help you start your search.
ReplyDeletehttp://mudcat.org/thread.cfm?ThreadID=31706
~Melissa
Hi:
ReplyDeleteThank you for your tip. I learned "Cleartone" was the prototype name for what is now "Clarity" hypoallergenic rosin sold by the "Super-Sensitive" violin string company, (SEE Post by Tom Quinn dated 03/21/08 at violinist.com. Get there by google searching "rosin allergy" & go the the hit that mentions "burning eyes when playing fiddle could be due to allergy" or words to that effect.) I bought some and was patch tested with it. It turned out positive, but I have reason to believe my sample became contaminated before the patch testing.
I intend to buy more and be patch tested again. Then the problem will become decontaminating my fiddle or finding one that has never been exposed to rosin, and a new bow. I may have to have a fiddle made.
Thanks again for the lead, it prompted further research on my part, at an opportune time -- just before a previously scheduled visit with my patch test doctor, who agreed to perform further testing when I get my new "Clarity." I met with him today, and I have hope I may be able to play once more.
hi Melissa,
ReplyDeleteyou know, I was given my fiddle in a plastic bag ! I'm not kidding you, at the beginning of this year I was still hiring an instrument from the music academy as one evening, the doorbell rang. It was my neighbour with a big plastic bag in hand. She asked me if I would like to have 'this violin here' because otherwise she would throw the instrument away. As I had no idea as to the playability or the value of the instrument I gladly accepted the offer. The violin wasn't damaged at all, it just hadn't been put in a case for more than 50 years, the tuning pegs were out of working order and overall, it was in a very poor condition indeed. Then I was too busy for a few months, till finally I had the time to go to a luthier to ask if it was possible to get the violin back into playing mode... He made me an estimate and said that the wood used was of good quality, the violin needed a new fingerboard, tailpiece, chinrest, tuning pegs and bridge ... All in all, it would cost about 850 dollars... So I took the chance and after a month he called me saying that he had 'a surprise' for me. He'd repaired the violin and now it is in mint condition, it appeared that the violin was made at the beginning of the 20th century in the Vosges (France) and he said that it's an excellent instrument with a worth of about 35OO dollars. It sounds very clear, the projection of sound is amazing, I only spend the last 3 months 'breaking it in' again... So I went back to my neighbour asking if she was really really sure that she just wanted to give the violin away, giving her the estimated value the luthier said it had, but she reassured me that if I wouldn't accept it she would still just throw it out ...
That was this years lucky break for me ... :-)